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女主 Hataya 在父亲被枪杀后接管了家族的非法生意，她想把非法生意变成合法的，在一次大型会议期间，Hataya 差点被枪杀，幸好叔叔的新司机 Tay 救了她，在是 Tay 成了她的保镖，他们从一开始的不喜欢到慢慢的对彼此产生好感...你家人还没来哩，你们出去也没人赶车。本作品通过住在同一公寓的3位女性和各自的家庭所拥有的情况和欲望，来探讨新的结婚观、夫妻观、家庭观。主演的中山，扮演虽然是再婚对方和构筑家庭的妻子·母亲但是巨大的受欢迎自豪的妇女作家·内田百々子。木村饰演的是百々子的朋友，住在同一栋公寓的职业女性·富泽瑞希。大岛饰演的护士鸭居流美，是百百子分手的丈夫“伊玛妻”，是搬到同一公寓的护士。以《二十岁有你在的世界》而闻名的小说家泽木宏执笔剧本。《神的病历簿》导演深川荣洋。雅间一片寂静，众人都收声，一齐看向板栗。鲁邦三世第六季动画全集将于2018年4月播出。为该系列作品第五部动画，故事的舞台来到了现代的数码社会，鲁邦三世和世界传奇盗贼亚森·罗宾来到了起源之地——法国。乘坐老爷车、使用旧式手枪的鲁邦就这样来到数字时代，在新系列中使用互联网、移动终端等科技产品。Let's understand such a problem first, If our front-end development needs are the needs given to us by the demand side, It is possible that a front-end developer will deal with multiple demanders, Therefore, it will keep in touch with multiple demand parties. Then in the program it means keeping references to multiple objects, The larger the program, There will be more and more objects, The relationship between them will become more and more complicated. Now if there is an intermediary (if it is our supervisor) to meet the needs of multiple demanders, Then the demander only needs to give all the requirements to our supervisor, who will assign tasks to us according to our workload in turn. In this way, our front-end development does not need to contact with multiple business parties, we only need to contact our supervisor (i.e. Intermediary), which weakens the coupling between objects.