During the installation process, if there is no Pip, Python needs to be installed first and then Pip needs to be installed. The process is as shown in the figure:
(1) A pushed ship, but not part of the assembly, shall display two side lights at the front end;
But what if the other side is 200 defense?
当日，他水淹孔雀城，她也没有杀他。
主人公房东为了生计开了一家事务所。平时接不到大案。只能帮隔壁邻居做做家常。有一天事务所来了一个神秘的人物。交给他一个大案。但前提是他要竟聘上岗。最终如愿。神秘人告诉他有一批从东北亚过来的污染食品。害了很多国人。他已经一举荐将这不法团伙消灭。但被狡猾的坏人溜走了一个。唯一的线索是他身上的体味。那么房东仅凭这唯一的线索能否找到不法分子。
李宝英饰演尹智秀，她是独自抚养着孩子的坚强的单亲妈妈。她曾经是受人追捧的检察长家的千金，但因为事故失去家人，辛苦过着每一天。韩在贤和尹智秀相爱着，迎来了第一个花样年华。在对人生感到疲劳的中年以完全不同的境遇重逢，延续着爱情故事。
(1) "One to One" (OvO)
一个月能有八千左右的稿费。
Shandong Province
春梅对江小夏的喜欢，但因为江小夏的拒绝，而不了了之，从此性格沉稳，不情愿表露心迹，和柳芸芸呈一个相反的改变趋势。
一对情侣外出度假，入住豪宅，然而，当他们半夜醒来，却发现自己躺在一个处处充斥着恐怖氛围的荒弃诡宅中……他们意欲逃离，然而却始终逃不出去，努力奔逃，但逃往的地点却还是这所诡异的荒宅……更恐怖的是，当他们再度回到这座诡宅，却发现，时间跟他们走出去的时间，一样……
刘若男和袁晓凡是一对女强男弱的夫妻。时时吵吵闹闹，离婚常挂嘴边。袁晓凡的好友，求子心切的郭伟达为了帮老婆杨琳完成歌星梦,配合经纪公司炒作，没想到真的炒火了杨琳，而他的事业自此一蹶不振。意外怀孕的刘若男经历了匪夷所思的孕期诞下女儿，袁晓凡“不务正业”当起了全职奶爸，夫妻俩人的战争正式拉开帷幕。小凡用独创的科学养育法和事业萎靡的郭伟达合伙办起了日托小班。若男无法接受小凡的所谓“事业”，两人对彼此心灰意冷。老人们为了阻止他们离婚办法用尽，俩人在和父母的对战中终于明白：婚姻是责任，是共同维系。杨琳发现怀孕，经历过才知道什么最该珍惜，杨琳最终放弃所谓“星途”回归家庭。最终，因为孩子而找到自身价值的郭伟达和袁晓凡两个男人，与各自的那位最适合自己的老婆都行走在幸福的婚姻之路上
以韩国京畿道一处闹鬼的房屋为背景，三名“废家同好会”会员与拍摄人员一同闯入探险，最终都神秘失踪，只留下了一盘录像带。
一位来自洛杉磯的妙龄女子竟愿意付出一百万美金雇用他们当保鑣，又传出风声表示有人要暗杀城市猎人，不知道这名女子究竟是敌是友？
若觉得那不错，还清静，就住两天。
该剧改编自蓝小汐的同名小说，讲述了初入职场的宋暖、张盛、赵小川等几名大学毕业生，在经历数次职场考验后获得自我成长和甜蜜爱情的故事。
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
